Hugo House in Seattle, a writing center. They’ve recently moved into a large, gorgeous space, with a theatre and everything, with the help of masses of funding partners. How much would I love to have something like this in Oak Park? Sigh.
This was an artist I met in Columbus, Tiffani Smith of Sankofa Arts, who rents space for her studio in Scott Woods‘s shared art space, the Streetlight Guild. She kindly gave me permission to take some inspiration photos (for Maram Makerspace, perhaps, one day).
I love it when artists can come and work together; we were having a writing conference, and she was hammering away in her studio upstairs. Love it (and love that dinnerware and those pens!). The pieces on the wall are tremendously moving.
Please note bitter-sharp pricing on liquor!
Game design week 4 — we’re finishing up our role-playing game unit. This week, we showed the students how one kid’s rough pencil sketch could be transformed (by his big sister), into a nice clean illustration. We also looked at classic dungeon map design, using graph paper and a dry-erase mat to experiment with some options.
The kids should have all come home with a pad of graph paper this week, along with a few instruction sheets from Hero Kids, talking through different elements of their dungeons, such as branching paths, traps, and secrets.
The kids spent half the class developing their own maps further, adding exciting illustrations, creative ideas (pit of bees!), or color. Then we did some very rapid-fire game playing, adding a few little mini monster figures for some extra fun. Although again, you don’t really need any of that — your imagination and a die is all you need to play a role-playing game.
We didn’t get through quite all the maps, so we’ll finish those up next week, and then we’re going to try designing some Pokemon characters!
Nice little Maram workshops + writing coaching yesterday, and Oak Park Works was a great spot for them. Warm, clean, brightly-lit and welcoming — locals, if you’re looking for co-working space, or event-hosting space, definitely check them out! I ran a little publishing workshop, helping writers understand the current indie/trad publishing scene, what their options were, and what would be involved with various approaches. We talked for two solid hours, and I think it went pretty well and was helpful to them.
Then I did some writing coaching, meeting with someone who is thinking about an MFA, looking over her submission story for some developmental edits, but mostly just talking through where she is in her writing right now, and what good next steps would be for her. It went really well, I think.
I don’t want to set up a full-time writing coach business or anything like that, but at least in the future, when doing writing workshops, I’ll try to append this kind of thing when possible. It’s satisfying — feels like my 25+ years in this field are actually offering useful perspectives.
I’ll be back at Oak Park Works this evening at 6 p.m. with a free How to Write a Cookbook Workshop. Register at the link below if you’d like to join us! (And if you need to come in a bit late, that’s fine — I know 6 can be tricky with people’s commutes.) I’ll have copies of Feast with me, if anyone wants to pick up an early Kickstarter edition of the cookbook. If you can’t make tonight, there’s another one there, Sat. the 26th @ noon.
Thinking about how we’re describing our central themes for Maram right now — I’ve been using futurist, heritage / culture, and sustainability. But in a lot of ways, I really think it all falls under tech, just not in ways people are used to thinking about tech. ‘Tech’ as ‘application of complex, structured skills’?
Tech (futurist): 3D printing, wearable electronics
Tech (heritage): sashiko embroidery, stranded knitting, sourdough bread-making, beer-making, ethnic heritage cuisines
Tech (sustainable): worm composting, decorative mending
And I really want to keep interrogating that, especially given the gender divisions that people keep wanting to reinforce, where some types of tech get coded male, and some get coded female.
I swear, sometimes I want to start a men’s textile arts group, just to start pushing back against this. Maybe I can hold a free ‘learn to crochet class’ for men in our community. Or ‘learn to sew on a damned button.’
Would anyone come? Model this kind of knowledge and skill for your sons, dads! Let your daughters see you with a needle in that big, manly hand.
Last Saturday’s Tea and Textiles. Arya (kitten) helped teach Pat the basics of crochet — we got the chain stitch down, I think, and made good progress on single crochet, although why, oh why, is the first row also the hardest one to do? Seems unfair to beginners.
I added some stitches to my dress pockets that otherwise had a tendency to drop phones out of them; I should’ve chosen a darker blue thread, clearly, but I was too lazy to go back downstairs and hunt for it in the chaos that is my basement at the moment. Task for this week — straighten up the basement! But it’s okay; I doubt anyone will be peering too closely at the stitching on my pocketses…
I knit another row, and was feeling quite proud of myself for finally picking up this project again after many months, until I looked at it more closely and realized that I definitely have a noticeable error about six rows back. Am I willing to tink it back that far in order to fix it? GAH. I think so, because this is my first time designing something, and I want it to be done right, but I may need more tea for fortitude before attempting it. (Also have tons of computer work to do this morning, and meetings, and annoying errands in the afternoon, so it’s not going to happen soon. Maybe this evening, though.)
(‘Tink’ is the word for un-knitting; it’s knit backwards, because knitters are cute that way. What’s less cute is that it’s just as much work as the actual knitting. Sigh.)
Next Tea and Textiles will be Sat July 7 link in comments!