Sometimes we are not running around. Sometimes we are just yarning and singing. Jed and I have a history of doing a lot of singing in the car, but it turns out that while he’s helping me wind a skein is also a perfect time for singing. Christmas carols at the moment, but it’s often musicals.
(Kel, I’m making this Flowers Scarf for Kavi with your beautifully dyed gradient set! It has lots of the pinks she loves, but also feels quite delightfully Hawaiian in its floral cheer. https://www.ravelry.com/patterns/library/flowers-scarf)
I was upset to discover that we had closet moths a few months ago, and that they had eaten holes in my absolute favorite sweater (plus a few others). Argh. I could have tried to do an invisible mend, with matching grey thread, but the sweater has a fine weave, and one of the holes was quite large — I didn’t think I had the skill to repair it invisibly.
Instead, I decided to experiment a little. Several months back, I’d picked up a book, Kazuko Aoki’s _The Embroidered Garden_, and I’d been itching to try embroidering some little flowers. This seemed like the perfect piece to experiment on.
Now, I am basically a complete beginner with embroidery. I took one basic hour-long class at one point, where they ran us through the simpler stitches: running stitch, outline stitch, back stich, satin stitch, chain stitch, split stitch (which is my favorite, for some unknown reason). We also did French knots, which are useful, but finicky. The class was years ago, though — I had no idea where my embroidery hoop even was.
I should have hunted it up before starting, because as I was working, the fabric did pull in sub-optimal ways, and I started to get really worried that it was going to look terrible when done. Also, I was impatient, and had decided to work with several strands of thread, to do the filling faster, which is effective, but gives you a lot less fine control, making for a slightly messy result. Anyone who really does embroidery should feel free to scold me for my laziness there. I’m not sure I really have the patience for embroidery as an art form — crochet is much more forgiving for hiding errors.
But in the end, I’m still happy with the result. The two holes are mended (while I was watching a couple episodes of Chopped), and the final result has a sparkly whimsy to it that I quite like. My daughter loves it (but anything sparkly has a big edge with her). I’ll block it a little (misting with water and then patting down the threads with a q-tip, to smooth the fibers), which should help. Now, the flowers aren’t exactly where I would have chosen to place them, but it’s not terrible, I think. I may, at some point, go back in and add more flowers or vines — but I’m going to live with it for a while first, see if I really want them.
Besides, I have a few more sweaters to mend first…
Blocking is one of those things you could easily miss if you teach yourself how to knit or crochet on the internet, but blocking is an essential final stage to many projects. This is your opportunity to shape the piece, coaxing the fibers to go where you want them to go — you can lengthen sleeves a bit, straighten lines, soften curves.
For this mostly-alpaca afghan, I let it soak in water for a few minutes, squeezed it out gently, rolled it in a towel and squeezed out a bit more, and then laid it out on my interlocking blocking mats, using T-pins to get the lines where I wanted them to be. Blocking will give you a much more professional result, and it’s so quick and easy, there’s really no good reason not to do it. The hardest part is waiting for the yarn to dry, so you can unpin it and luxuriate in the gorgeousness of your final result.
Finished blocking the first sweater-type thing I’ve made for myself. I’d hesitated for a long time, because it seemed like shaping would be trickier than sweaters for kids, and it was a big time commitment for something that might not come out.
Results — mixed, I think. This one is a learning experience. I love the yarn (Lana Riga, a gift from my sister Mir Mo Ga) to pieces — it’s super-soft to work with, and striped up beautifully. It took just over three skeins to make this.
The pattern I chose is fine through the body and fits well, but the straps on the top feel a little narrower than I’d want — I sort of wish it had cap sleeves instead.
That’s minor, though — a bigger issue is the flare at the bottom. It’s more dramatic than I realized, almost like a peplum. If I could do it again, I’d do those increases in a more graduated way, I think (instead of one increase row followed by one knit row, I’d do one increase row followed by two or three knit rows).
Now, here’s the interesting part. I don’t really want to add another layer under this, but I do want sleeves, I think. So I’m contemplating taking an inexpensive long-sleeve t-shirt, cutting off the sleeves, and sewing them to the armholes of this. That should work, right? (And I can hopefully frugally turn what remains of the t-shirt into a tank?) I’d love to have three-quarter sleeves added to this.
That’s the plan, when I next have a little time to sew. I’m not sure which shirt I’ll use — I have one in rose pink, and another in a striped cream-white. Will try them both, see how they look.
(Note: Ravelry project notes say I started this 2.5 years ago, oof.)
Whoa. I think I’ve made my first color work knitting pattern. Cool. Lots of long floats, sorry, but it actually looks like what I wanted it to look like. Weird.
Two sides of a fingerless gauntlet. If anyone uses this pattern, I’d love to see the result! I’m knitting it myself, but I’m slow, so it may take me a while.
(please use under a Creative Commons non-commercial attribution license)
I still like the colors I picked for it, but I admit, they look a little more Wonder Woman / Hogwarts than I anticipated, somehow.
Spring is my favorite season still, but autumn does have its charms.
This yarn is Lana Riga, a gift from my sister — finally getting back to this project after a long time in hiatus. First sweater-type thing I’ve made for myself; we’ll see how the sizing works! Ravelry tells me I started it in April 2015, when I’m pretty sure I was a size bigger than I am now. But I may have radically misestimated the size anyway….
Question — I see people saying that when you do a top-down sweater, you can check the sizing as you go. But the needles are in the way. Do you transfer stitches to waste yarn? Is there an easy way to do that? Feeling dense that this isn’t obvious to me.
Have now ducked out and picked up cheap over-door mirror (thanks, BB&B) for basement, which will hopefully make it easier for me to tailor clothes. I have a fair number of pieces from larger-size days, and I still love them, but they’re not nice enough to be worth paying a tailor to size them down, not when I have a perfectly good sewing machine and the ability to sew a straight seam — but I do wish Kavi was just a little older, so I could have her pin me appropriately. Pinning self = tricky.
(This is apparently my super-domestic weekend — I have been running a bit ragged with start of school, etc. writing and work stuff, and am feeling a strong need to immerse myself in space opera tv and textiles. Hopefully will be back to writing by tomorrow — we’ll see.)
Kavya and I might have had a bit too much fun doing a photo shoot to model the sweater-poncho-thingie I just finished knitting for my niece. Kavi quite likes it, and is pondering whether she wants one of her own — in pink, though, not taupe! A quick, easy knit — recommended.