ADD and agents

Here’ s another ADD-thing maybe, this one writing / agent-related. I work in a lot of different areas, and it turns out that the literary agenting world is REALLY not set up for this. When I was last agent-hunting, Benjamin Rosenbaum was strongly advocating that I find an agent who could represent all the varied things I do. That sounds great, but the thing is, what I do is REALLY varied.

My attention scatters hither and yon, and as a result, I am working in the following fields: science fiction, fantasy, mainstream lit, memoir (two different ones), cookbooks, and kids’ lit (picture books, middle grade, YA). I also write poetry, but it is perhaps my salvation that I don’t even try to publish it properly, but just post it here. I dabbled in playwriting for a year, but thankfully managed to set it aside. Mostly. I keep fighting the urge to write a graphic novel; it’s a good thing I can’t draw.

I don’t know of ANY agents who actually represent all of that. I’ve asked around, a lot! Agents tend to specialize, which makes sense, because they need to know their sub-field really well in order to keep up with what’s happening there. So in the end, I decided to pick SF as my major focus right now, and choose an agent who was good at it.

Russ Galen is, in fact, GREAT at SF/F, and I feel very lucky to have him as my agent. He’s helped me see where my first attempt at a SF novel went wrong, and the version I’m working on now is, I think, much better. On my good days, I’m quite hopeful that I can write a good SF novel and he can sell it. (Last night I was being very mopey about that whole endeavor, but Kevin talked me down from the ledge.)

Russ has given me permission to go find other agents to represent anything else I do, but unfortunately, that’s turning out to be really difficult. Most agents would prefer to represent an author entirely, so a lot of people will just say no straight off, when they hear that Russ is representing my SF/F.

After talking to some more agent friends, it seems like I MIGHT be able to find someone to do just my kid lit, so I’m agent-hunting for that now. But agents are really quite resistant, even in the initial inquiry phase, which is disheartening.

Agent-hunting is maybe not quite as terrible as job-hunting, but it’s close. I think I’ve been spoiled because I’ve never really had to do it before — I got my first agent through editing a book with Bob when he was still an editor, and I got Russ through an introduction from a fellow writer. I’ve never done a real agent search before. It sucks.

Anyway, to come back to the writing-in-many-genres thing — a lot of people would say to just pick one and stick to it, that it’s almost impossible for someone to do well in multiple genres.

But almost impossible isn’t the same as impossible, right? Iain Banks / Iain M. Banks published in both mainstream lit. and SF. Ursula K. Le Guin wrote SF/F, published as mainstream, and even did a lovely children’s book (Fish Soup) that I’m insanely fond of. Michael Chabon writes mainstream lit. and superhero stories and Frankenstein baseball. (Yes, I am aware that these people are exceptional. Sigh.)

I am *trying* to focus. I am. But sometimes my brain just spins out in other directions. On my good days, I’m hopeful that it all goes together in some sort of hodgepodge that I hope will work synergistically.

My work does center around certain things, no matter what genre it’s in: Sri Lanka, domesticity, gender and sexuality, race and ethnicity, immigrant / refugee / nationalist politics, polyamory, food, gardening. (A bit of climate change too, as it intersects with postcolonial concerns.)

I mean, that’s a weird mix, but it’s me, and I can hope that there’ll be *some* crossover in readership across genre borders. I think I don’t really have a choice about writing all of that, honestly — I can’t seem to stop working in multiple genres. Maybe someday it’ll all come together in a glorious explosion.

But right now, it makes agenting / marketing much harder than it would otherwise be. Sigh.

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One thought on “ADD and agents”

  1. I suspect that the only solution is the one Asimov used. He had no agent until late in life. He did what you do, successfully, using (many) pseudonyms when necessary. This latter is very useful, I think.

    I don’t know what her agent situation is, but Nnedi does much the same thing.

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